Claude Monet — "I have never had a studio, and I do not understand shutting oneself up in a room…"
I have never had a studio, and I do not understand shutting oneself up in a room. To draw, yes; to paint, no.
I have never had a studio, and I do not understand shutting oneself up in a room. To draw, yes; to paint, no.
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"More than ever despite my poor sight, I need to paint and paint unceasingly."
"I am very much upset. I am working very hard, but I am not satisfied with anything."
"Now I really feel the landscape. I can be bold and include every tone of pink and blue: it's enchanting, it's delicious."
"I'm absolutely furious. Everything is going wrong."
"Everything changes, even stone."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
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