Claude Monet — "Now I really feel the landscape. I can be bold and include every tone of pink an…"
Now I really feel the landscape. I can be bold and include every tone of pink and blue: it's enchanting, it's delicious.
Now I really feel the landscape. I can be bold and include every tone of pink and blue: it's enchanting, it's delicious.
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"I have never had a studio, and I do not understand shutting oneself up in a room. To draw, yes; to paint, no."
"Impression – I was certain of it. I was just telling myself that, since I was impressed, there had to be some impression in it … and what freedom, what ease of workmanship! Wallpaper in its embryonic …"
"I am following Nature without being able to grasp her... I perhaps owe having become a painter to flowers."
"England did not care for our paintings."
"I want to paint the light, and I want to paint the air."
French Impressionist painter whose Impression, Sunrise (1872) named the movement, and whose late Water Lilies series anticipated 20th-century abstraction. Closely associated with Pierre-Auguste Renoir (Impressionist co-founder) and Camille Pissarro (Impressionist mentor figure). For an intellectual contrast, see the Académie des Beaux-Arts and the Salon, the French art establishment of the 1860s-70s — The Académie rejected Monet and the Impressionists throughout the 1860s-70s, forcing them to organize the 1874 Salon des Refusés that became Impressionism's launch. Monet's career is the canonical example of an artistic revolution that bypassed institutional gatekeeping — the Académie's rejection inadvertently created modernism.
Undated, expressing his confidence and joy in painting.
Date: Undated, approximate late 19th/early 20th century
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