I just realized that I need to be a director for two reasons. One, directors were already my heroes at this point. I wanted to - when I wanted to be an actor I wanted to work with this director. Not work with this actor, I wanted to work for this director.
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"He's not really fully formed. They grow. They teach me who they are."
"I have absolutely no hypocrisy or contradiction whatsoever to say that you know I abhor violence in real life and I can love it in genre. and I can love it in stories and I can love it in uh novels."
"I’ve never had a cavity. But I’ve written scenes where people’s teeth get knocked out. Go figure."
"If you're gonna make a movie, you gotta have a car chase."
"I'm a big fan of ensemble casts."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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