Quentin Tarantino — "I like to torture my characters. I like to put them in impossible situations and…"
I like to torture my characters. I like to put them in impossible situations and see how they react.
I like to torture my characters. I like to put them in impossible situations and see how they react.
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"I'm a big fan of the moment. I think it's all we have."
"I'm a big fan of long takes. I think they're cinematic."
"I'm not a big fan of directors who take themselves too seriously."
"Social critics don't mean a thing to me. It's really easy to ignore them, because I believe in what I'm doing 100%. So any naysayers for the public good can just fuck off."
"I like movies that are a little bit dangerous."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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