Quentin Tarantino — "I'm a big fan of the moment. I think it's all we have."
I'm a big fan of the moment. I think it's all we have.
I'm a big fan of the moment. I think it's all we have.
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"You wouldn't think the colour of a writer's skin should have any effect on the words themselves. In a lot of the more ugly pieces, my motives were really brought to bear in the most negative way. It's…"
"I'm a big fan of the B-movie, I'm a big fan of the exploitation film. I like the trashy stuff. I like the stuff that's not supposed to be good."
"I'm a big fan of Westerns. I think they're America's greatest art form."
"If you've made money being a critic in black culture in the last 20 years you have to deal with me. You must have an opinion of me. You must deal with what I'm saying and deal with the consequences."
"I like to subvert expectations."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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