Marlon Brando — "I never had a good time in my life. I always had a good time in my head."
I never had a good time in my life. I always had a good time in my head.
I never had a good time in my life. I always had a good time in my head.
Click any product to generate a realistic preview. Up to 3 at a time.
* Initial load can take up to 90 seconds — revising the preview in another color is nearly instant.
"Privacy is not something that I'm willing to give up for the sake of celebrity."
"I'm not afraid of death. I'm afraid of dying."
"I don't like to be bothered. I like to be left alone."
"Hollywood is a place where they'll pay you a thousand dollars for a kiss and fifty cents for your soul."
"You don't just give up. You don't just let things happen. You fight for what you believe in and you fight for your friends."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
Your cart is empty