Marlon Brando — "I never read a script. I just look at the money."
I never read a script. I just look at the money.
I never read a script. I just look at the money.
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"I don't know what the hell I'm doing. I just do it."
"I never thought I'd live this long."
"I've always been attracted to women who are strong and independent."
"Acting is the expression of a neurotic impulse. It's a bum's life."
"We don't go anywhere. Going somewhere is for squares. We just go!"
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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