Edvard Munch — "I owe my art to suffering."
I owe my art to suffering.
I owe my art to suffering.
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"My afflictions belong to me and my art - they have become one with me. Without illness and anxiety, I would have been a rudderless ship."
"Had I been in possession of the as yet undiscovered little remote telephone which one carries around in one's pocket, you would have long ago received communications from me."
"By painting colors and lines and forms seen in quickened mood I was seeking to make this mood vibrate as a phonograph does. This was the origin of the paintings in The Frieze of Life."
"I paint moments, not things."
"Every person is a universe."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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