Edvard Munch — "I sense the presence of death everywhere."
I sense the presence of death everywhere.
I sense the presence of death everywhere.
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"The greatest pleasure in life is to create."
"What I am seeking is not the real and not the unreal but rather the unconscious, the mystery of the instinctive in the human race."
"The Scream' is not a landscape with figures, but a state of mind."
"The human heart is a dark and mysterious place."
"The entire world is a picture of the mind."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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