Edvard Munch — "The Scream' is not a landscape with figures, but a state of mind."
The Scream' is not a landscape with figures, but a state of mind.
The Scream' is not a landscape with figures, but a state of mind.
Click any product to generate a realistic preview. Up to 3 at a time.
* Initial load can take up to 90 seconds — revising the preview in another color is nearly instant.
"There is a battle that goes on between men and women. Many people call it love."
"I hear the scream of nature."
"All art, literature, and music must be born in the heart and soul of man."
"I have created a new art that will shake the world."
"When I painted, I was a master. I felt that I dominated him, who dominated me."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
Your cart is empty