Jeff Koons — "I think that art can be a form of escapism, but also a way to engage with realit…"
I think that art can be a form of escapism, but also a way to engage with reality.
I think that art can be a form of escapism, but also a way to engage with reality.
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"I want the viewer to feel good, to feel empowered, to feel self-accepted."
"I always say that art is about a dialogue with the viewer. It's about a relationship."
"I want my work to contribute to a more positive world."
"I'm interested in the idea of the infinite, and how art can represent it."
"I'm interested in the idea of the universal, and how art can speak to everyone."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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