Jeff Koons — "I'm interested in the idea of the universal, and how art can speak to everyone."
I'm interested in the idea of the universal, and how art can speak to everyone.
I'm interested in the idea of the universal, and how art can speak to everyone.
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"I'm not interested in being an artist who makes things that are difficult to understand."
"I always try to make work that is timeless."
"I want my work to offer both a dream and a reflection of the world."
"I'm interested in the idea of the everyday. I think that art can be found in everyday objects."
"I think that art is about being able to communicate with the largest possible audience."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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