Jeff Koons — "I think that art is really about generosity. It's about being able to give to ot…"
I think that art is really about generosity. It's about being able to give to others.
I think that art is really about generosity. It's about being able to give to others.
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"I always say that I'm a machine, that I'm a vessel, that I'm a conduit."
"I want to create work that is generous and that gives to others."
"I'm interested in the idea of the transformation, and how art can facilitate it."
"I want to create a dialogue between the viewer and the artwork."
"I'm interested in the idea of the iconic. I think that art can create icons."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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