I think that the big mistake people make about movies is that they don't understand that films are essentially a dream process. You're not supposed to be able to explain what's going on in a dream. If you can, it's not a dream.
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"The Holocaust was about Jews being killed, but the real story is that six million people were killed for no reason."
"I don’t think anyone should ever be bored."
"I've never been certain whether the world is run by smart men who are putting us on or by imbeciles who really mean it."
"If you really want to do something, you'll find a way. If you don't, you'll find an excuse."
"It's Funny How The Colors Of The Real World Only Seem Really Real When You Viddy Them On The Screen."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
Unpublished interview, quoted in 'Stanley Kubrick: A Biography' by John Baxter
Date: 1970s
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