Stanley Kubrick — "It's Funny How The Colors Of The Real World Only Seem Really Real When You Viddy…"
It's Funny How The Colors Of The Real World Only Seem Really Real When You Viddy Them On The Screen.
It's Funny How The Colors Of The Real World Only Seem Really Real When You Viddy Them On The Screen.
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"The greatest glory in living lies not in never falling, but in rising every time we fall."
"The criminal and the soldier at least have the virtue of being against something or for something in a world where many people have learned to accept a kind of grey nothingness, to strike an unreal se…"
"The greatest thing you'll ever learn is just to love and be loved in return."
"The whole idea of god is absurd. If anything, 2001 shows that what some people call 'god' is simply an acceptable term for their ignorance. What they don't understand, they call 'god'... Everything we…"
"I'm not interested in making films that are politically correct. I'm interested in making films that are true to human nature, however ugly that may be."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
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