I think the big mistake in schools is trying to teach children anything, and by using fear as the basic motivation. Fear of getting failing grades, fear of not staying with your class, etc. Interest can produce learning on a scale compared to fear as a nuclear explosion to a firecracker.
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"I think that a preoccupation with originality of form is more or less a fruitless thing. A truly original person with a truly original mind will not be able to function in the old form and will simply…"
"The thing about life is that it's a tragedy, but it's also a comedy. It's both at the same time."
"The most dangerous animal in the world is a human being with a good idea and a bad conscience."
"The greatest glory in living lies not in never falling, but in rising every time we fall."
"The greatest pleasure in life is doing what people say you cannot do."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
From 'Stanley Kubrick at Look Magazine' by Phillipe Mather.
Date: 2013 (published year of book)
War & ViolenceFound in 1 providers: gemini
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