Marlon Brando — "I think the great actors are the ones who are willing to make fools of themselve…"
I think the great actors are the ones who are willing to make fools of themselves.
I think the great actors are the ones who are willing to make fools of themselves.
Click any product to generate a realistic preview. Up to 3 at a time.
* Initial load can take up to 90 seconds — revising the preview in another color is nearly instant.
"Acting is just a way of making a living. The actor's a fool if he believes he's anything more than a glorified whore."
"I never read a script. I just look at the money."
"I've always been attracted to women who are strong and independent."
"I don't think anyone should be forced to do anything against their will."
"I don't think I'm a genius. I think I'm a worker."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
Your cart is empty