I'd kill a million rats, but I don't necessarily want to kill one in a movie or see one killed in a movie, because I'm not paying to see real death.
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"Filmmaking can be a democratic process. In which other people, other than rich white men, can make movies."
"If my movies were any more violent, they’d have to come with a vomit bag and a therapist."
"I'm not trying to be politically correct. I'm just trying to tell a good story."
"I'm a big fan of movies that are morally ambiguous."
"I don't like to be bored. I like to be entertained."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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