Quentin Tarantino — "Filmmaking can be a democratic process. In which other people, other than rich w…"
Filmmaking can be a democratic process. In which other people, other than rich white men, can make movies.
Filmmaking can be a democratic process. In which other people, other than rich white men, can make movies.
Click any product to generate a realistic preview. Up to 3 at a time.
* Initial load can take up to 90 seconds — revising the preview in another color is nearly instant.
"I'm a big fan of genre films. I think they're a lot of fun."
"I'm a big fan of music in movies. I think it's essential."
"I'm not saying I'm a saint, but I'm not a bad guy. I'm just a guy who makes movies."
"I steal from every single movie ever made. If people don't like that, then tough tills, don't go and see it, all right? I steal from everything. Great artists steal, they don't do homages."
"Bruce had nothing but disrespect for American stuntmen and was always hitting them. ... I can understand his daughter having a problem with it, everyone else could 'go suck a d***.'"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
Your cart is empty