Marlon Brando — "If there is someone who is convinced that Jack Nicholson and I are lovers, may t…"
If there is someone who is convinced that Jack Nicholson and I are lovers, may they continue to do so. I find it amusing.
If there is someone who is convinced that Jack Nicholson and I are lovers, may they continue to do so. I find it amusing.
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"An actor’s a guy who, if you ain’t talking about him, ain’t listening."
"I'm going to make him an offer he can't refuse."
"I don't care about awards. It's all a lot of nonsense."
"I'm a fairly solitary person. I like to be alone a lot."
"The greatest danger for most of us is not that our aim is too high and we miss it, but that it is too low and we reach it."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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