Quentin Tarantino — "Violence is fun, man."
Violence is fun, man.
Violence is fun, man.
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"I just realized that I need to be a director for two reasons. One, directors were already my heroes at this point. I wanted to - when I wanted to be an actor I wanted to work with this director. Not w…"
"I don't make political films. I make films that have politics in them."
"But when the black critics came out with savage think pieces about Django, I couldn't have cared less. If people don't like my movies, they don't like my movies, and if they don't get it, it doesn't m…"
"I like it when somebody tells me a story, and I actually really feel that that's becoming like a lost art in American cinema."
"I don't care about what people say about my movies. I make them for myself."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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