Marlon Brando — "If you're going to be a movie star, you'd better be a good one."
If you're going to be a movie star, you'd better be a good one.
If you're going to be a movie star, you'd better be a good one.
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"Acting is just a way of making a living. The actor's a fool if he believes he's anything more than a glorified whore."
"I've always been a little bit of a rebel."
"The Jews control Hollywood and use it to promote their own agenda."
"I've always been a rebel without a cause."
"I'm not a difficult person. I'm just an individual."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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