Marlon Brando — "I've always been a little bit of a rebel."
I've always been a little bit of a rebel.
I've always been a little bit of a rebel.
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"I'm not a hero. I'm a human being."
"I don't want to be a symbol. I want to be a man."
"I think that the most important thing in life is to be passionate."
"I think that I'm a good actor, but I'm not a great actor."
"I don't like to be bothered. I like to be left alone."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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