Marlon Brando — "If you're successful, acting is about as soft a job as anybody could ever wish f…"
If you're successful, acting is about as soft a job as anybody could ever wish for. But if you're unsuccessful it's worse than having a skin disease.
If you're successful, acting is about as soft a job as anybody could ever wish for. But if you're unsuccessful it's worse than having a skin disease.
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"I never wanted to be an actor. I wanted to be a farmer."
"I'm a fairly solitary person. I like to be alone a lot."
"If there’s anything unsettling to the stomach, it’s watching actors on television talk about their personal lives."
"I don't think I'm a prophet. I think I'm a man."
"I don't like to be predictable. I think it's boring."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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