Marlon Brando — "I don't think I'm a prophet. I think I'm a man."
I don't think I'm a prophet. I think I'm a man.
I don't think I'm a prophet. I think I'm a man.
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"I'm not a very good actor. I'm a very bad actor."
"I don't think America is the greatest country in the world anymore."
"I don't like to be constrained. I think it's stifling."
"I watched a snail crawl along the edge of a straight razor. That's my dream. That's my nightmare. Crawling, slithering, along the edge of a straight razor and surviving."
"I don't have any regrets. I've lived my life the way I wanted to."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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