Quentin Tarantino — "I'm a big fan of blaxploitation films. They're awesome."
I'm a big fan of blaxploitation films. They're awesome.
I'm a big fan of blaxploitation films. They're awesome.
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"I steal from every single movie ever made. If people don't like that, then tough tills, don't go and see it, all right? I steal from everything. Great artists steal, they don't do homages."
"I'm a big believer in the power of music in movies."
"You don't need proof when you have instinct."
"This is a debased genre of literature, but I'm all about debased genres of art that people don't respect."
"I'm a big fan of movies that are morally ambiguous."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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