I hope the publicity you're getting from 132 different media outlets writing your name and printing your picture was worth disrespecting me and a film I remember quite clearly you were thrilled to be a part of? ... After I gave you a job, and you took the money, to trash it for what I suspect is very cynical reasons shows a decided lack of class, no less honour.
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"I'm a slave to my imagination."
"I like the way blood looks in black and white. It's like a Rorschach test."
"I like to torture my characters. I like to put them in impossible situations and see how they react."
"The minute you put handcuffs on artists because of stuff like that, it's not an art form anymore."
"I don't like to be subtle. I like to be in your face."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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