Quentin Tarantino — "I'm a big fan of practical jokes."
I'm a big fan of practical jokes.
I'm a big fan of practical jokes.
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"You wouldn't think the colour of a writer's skin should have any effect on the words themselves. In a lot of the more ugly pieces, my motives were really brought to bear in the most negative way. It's…"
"I think every movie is a genre movie. A John Cassavetes movie is a genre movie—it's a John Cassavetes Movie. That's a genre in and of itself."
"There are two kinds of violence. First, there's cartoon violence like Lethal Weapon. There's nothing wrong with that. I'm not ragging on that. But my kind of violence is tougher, rougher, more disturb…"
"Violence in real life is terrible; violence in movies can be cool. It's just another colour to work with."
"I'm a big fan of movies that are morally ambiguous."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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