You wouldn't think the colour of a writer's skin should have any effect on the words themselves. In a lot of the more ugly pieces, my motives were really brought to bear in the most negative way. It's like I'm some supervillain coming up with this stuff.
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"I didn't start a family until late in life. I've been -- I've always kind of equated -- if you're doing movies on, you know, on the level that I've been doing, actually at the level I've been allowed …"
"I'm a big fan of movie posters. I think they're a work of art."
"If you're gonna make a movie, you gotta have a car chase."
"I'm a big fan of practical jokes."
"I don't answer questions like that. I reject your hypothesis."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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