Quentin Tarantino — "I'm a big fan of the B-movie, I'm a big fan of the exploitation film. I like the…"
I'm a big fan of the B-movie, I'm a big fan of the exploitation film. I like the trashy stuff. I like the stuff that's not supposed to be good.
I'm a big fan of the B-movie, I'm a big fan of the exploitation film. I like the trashy stuff. I like the stuff that's not supposed to be good.
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"I’ve never had a cavity. But I’ve written scenes where people’s teeth get knocked out. Go figure."
"This is a debased genre of literature, but I'm all about debased genres of art that people don't respect."
"I'm a big fan of music in movies. I think it's essential."
"When people ask me if I went to film school, I tell them, 'No, I went to movies.'"
"The good thing about being a writer is you can make up anything you want."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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