I'm a cheerleader towards violence in cinema. you know I have no problem is saying that I like violent movies. and I respond to violent movies. and I actually think violence is one of the things. that uh the Lumiere brothers helped invented the camera to do it's actually in some ways it's cinema reaching. its one of its fullest potentials.
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"I don't believe in political correctness. I believe in freedom of speech."
"But when the black critics came out with savage think pieces about Django, I couldn't have cared less. If people don't like my movies, they don't like my movies, and if they don't get it, it doesn't m…"
"If a guy is shot in the stomach and he's bleeding like a stuck pig, I want to see him bleeding like a stuck pig that is the That is now the situation you're dealing with all right it's not he's ow he'…"
"I don't think about the legacy of my films. I just think about making the next one."
"When people ask me if I went to film school, I tell them, 'No, I went to movies.'"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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