Jeff Koons — "I'm interested in the idea of the sublime, of something that is so beautiful tha…"
I'm interested in the idea of the sublime, of something that is so beautiful that it's almost overwhelming.
I'm interested in the idea of the sublime, of something that is so beautiful that it's almost overwhelming.
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"I always try to make work that is timeless."
"I think that art is about being able to create something truly unique."
"Art is about communication. It's about being able to share with people the excitement of what it is to be a human being and to be alive."
"I want to challenge perceptions and open minds."
"I want to create art that is so profound that it can change perceptions."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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