Jeff Koons — "I want to create art that is so profound that it can change perceptions."
I want to create art that is so profound that it can change perceptions.
I want to create art that is so profound that it can change perceptions.
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"I think that art can be a very powerful way to explore ideas and concepts."
"I think that art can be a very powerful tool for social change."
"I always try to make work that is accessible and that can be understood by a wide audience."
"I'm not interested in being an artist who makes things that are difficult to understand."
"I'm interested in the idea of the sublime, of something that is so beautiful that it's almost overwhelming."
American contemporary artist whose Balloon Dog and Rabbit sculptures hold record sale prices for living artists; defines high-end commodified Pop. Closely associated with Damien Hirst (YBA-generation peer with similar production-line studio model) and Takashi Murakami (Superflat parallel from Japan). For an intellectual contrast, see Marina Abramović, Serbian-American performance artist — Abramović's body-on-the-line endurance work (The Artist Is Present, 2010) is the precise opposite of Koons's outsourced-fabrication, surface-shine commodification. Abramović's unmediated authorship vs Koons's factory production are the two cleanest poles of late-20th-century 'what is the artist for?' debate.
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