Quentin Tarantino — "I'm not a feminist. I'm a filmmaker."
I'm not a feminist. I'm a filmmaker.
I'm not a feminist. I'm a filmmaker.
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"I don't like to be predictable. I like to surprise people."
"I don't care about being popular. I care about making movies that I'm proud of."
"I'm a big fan of kung fu movies. I love them."
"I'm not interested in making movies for children."
"I mean, I'm a big movie geek. I just like movies, and I just like going to the movies. I also like watching movies at home. But I like going to the movies. It's like going to church. It's like going t…"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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