Quentin Tarantino — "I'm not a student of world cinema. I'm not a student of anything. I'm a fan."
I'm not a student of world cinema. I'm not a student of anything. I'm a fan.
I'm not a student of world cinema. I'm not a student of anything. I'm a fan.
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"I'm a mad scientist when it comes to making movies."
"In real life there are no bad guys. Everybody just has their own perspective."
"I think every movie is a genre movie. A John Cassavetes movie is a genre movie—it's a John Cassavetes Movie. That's a genre in and of itself."
"I'm a big fan of exploitation films. I think they're great."
"Not every movie needs to be made. Not every movie should be made."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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