Quentin Tarantino — "I'm a big fan of exploitation films. I think they're great."
I'm a big fan of exploitation films. I think they're great.
I'm a big fan of exploitation films. I think they're great.
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"I like to torture my characters. I like to put them in impossible situations and see how they react."
"I wish I had sat him down and gone, 'Harvey you can't do this, you're gonna f*** up everything.' I don't think anybody talked to him about it."
"I'm a big fan of directors who have a strong vision."
"I'm not a fan of CGI. I like practical effects."
"The worst thing about movies is, no matter how far you can go, when it comes to violence you are wearing a pair of handcuffs that novelists... don't wear."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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