Marlon Brando — "I'm not afraid to be alone. I'm afraid to be with people who make me feel alone."
I'm not afraid to be alone. I'm afraid to be with people who make me feel alone.
I'm not afraid to be alone. I'm afraid to be with people who make me feel alone.
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"An actor is at most a poet and at least a traffic cop."
"I don't mind being an icon, but I'd rather be a person."
"I don't have any regrets. I've lived my life the way I wanted to."
"The camera is a lie. It's a machine that distorts reality."
"The only thing I ever learned from acting was that I could make a lot of money."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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