Marlon Brando — "I’m not an actor—I’m a guy who gets paid for acting."
I’m not an actor—I’m a guy who gets paid for acting.
I’m not an actor—I’m a guy who gets paid for acting.
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"I've always been a little bit of a rebel."
"I don't believe in regret. I think it's a waste of time."
"I think that acting is a form of neurosis."
"There are times when I think I'm going to go crazy, and then I realize I'm already there."
"I'm not a very happy person. I'm not a very good person. I'm not a very nice person."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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