Marlon Brando — "I'm not interested in being a star. I'm interested in being an actor."
I'm not interested in being a star. I'm interested in being an actor.
I'm not interested in being a star. I'm interested in being an actor.
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"I've always been attracted to women who are strong and independent."
"You don't just give up. You don't just let things happen. You fight for what you believe in and you fight for your friends."
"I always felt that the only way to make a movie truly great was to make it a little bit strange."
"I don't like to be judged. I think it's unfair."
"I think that the only way to learn is to make mistakes."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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