Marlon Brando — "I always felt that the only way to make a movie truly great was to make it a lit…"
I always felt that the only way to make a movie truly great was to make it a little bit strange.
I always felt that the only way to make a movie truly great was to make it a little bit strange.
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"I’m not an actor—I’m a guy who gets paid for acting."
"I'm not a very political person. I just care about people."
"I don't like to be told what to say. I like to say what I want to say."
"Hey, you wanna hear my philosophy of life? Do it to him before he does it to you."
"I can still taste that first beer I bought with my own paycheck."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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