Insects too. Unless I'm paying to see some bizarro documentary, I'm not paying to see real death. Part of the way that this all works is that it's all just make believe. That's why I can stand the violent scenes, cause we're all just f**king around.
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"I'm a big fan of spaghetti westerns. They're my favorite genre."
"I don't think there's any such thing as a bad movie, just a movie you don't like."
"I'm a big fan of exploitation films. I think they're great."
"The only time I cry is when I watch 'E.T.' And when I run out of ketchup."
"I'm a big fan of directors who have a strong vision."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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