Edvard Munch — "Is it because she took my first kiss that she took the perfume of life from me?"
Is it because she took my first kiss that she took the perfume of life from me?
Is it because she took my first kiss that she took the perfume of life from me?
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"The camera cannot compete with the brush and the palette so long as it cannot be used in heaven or hell."
"The human heart is a dark and mysterious place."
"And I live with the dead – my mother, my sister [Sophie], my grandfather, my father [who died in 1889, when Munch was in France].. . Every day is the same – my friends have stopped coming – their laug…"
"The way one sees is also dependent upon one's emotional state of mind. This is why a motif can be looked at in so many ways, and this is what makes art so interesting."
"The rich man who gives, steals twice over. First he steals the money and then the hearts of men."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
A melancholic and poetic reflection on a past, possibly formative, romantic relationship.
Date: Late 19th Century
Love & RelationshipsFound in 1 providers: gemini
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