Quentin Tarantino — "I'm not a fan of CGI. I like practical effects."
I'm not a fan of CGI. I like practical effects.
I'm not a fan of CGI. I like practical effects.
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"I like movies that are a little bit twisted."
"I don't care about being popular. I care about making movies that I'm proud of."
"I steal from every single movie ever made."
"I'm a big fan of dialogue. I think it's important."
"It's not that I'm on this big crusade against linear storytelling, but the thing is it's not the only game in town. A novel can do that no problem. Novelist have always had complete freedom to pretty …"
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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