Marlon Brando — "Most of the world is like a mental institution, a big insane asylum."
Most of the world is like a mental institution, a big insane asylum.
Most of the world is like a mental institution, a big insane asylum.
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"Acting is the expression of a neurotic impulse. It's a bum's life. Quitting acting, that's the sign of maturity."
"The principal benefit acting has afforded me is the money to pay for my psychoanalysis."
"The greatest enemy of art is the absence of criticism."
"I don't mind being an icon, but I'd rather be a person."
"I don't want to be a star. I want to be an actor."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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