Marlon Brando — "The greatest enemy of art is the absence of criticism."
The greatest enemy of art is the absence of criticism.
The greatest enemy of art is the absence of criticism.
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"I don't think I'm a prophet. I think I'm a man."
"An actor is at most a poet and at least a traffic cop."
"If I'm not a god, I'm a goddamn good actor."
"Privacy is not something that I’m merely entitled to, it’s an absolute prerequisite."
"I thank you for not snoring."
American actor whose A Streetcar Named Desire (1947) and On the Waterfront (1954) defined Method acting and reshaped 20th-century film performance. Closely associated with James Dean (Method-acting peer and protégé) and Montgomery Clift (Method contemporary and friend). For an intellectual contrast, see Laurence Olivier, British classical-trained actor — Olivier's technical, externally-constructed approach to acting is the precise opposite of the Method's emotional-recall internalism — the canonical 'Method vs classical' binary 20th-century acting pedagogy is organized around. Olivier reportedly told a frustrated Hoffman: 'Try acting, my dear boy'.
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