People can uh absolutely positively uh accuse my movies of being bloodthirsty. and they might very well be right and if that is not your cup of tea. then you should drink another cup of tea.
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"You don't need proof when you have instinct."
"Just because I was at an anti-police brutality protest, doesn't mean I'm anti-police. We want justice, but stop shooting unarmed people."
"I don't care about being cool. I care about being good."
"I'm not trying to be politically correct. I'm just trying to tell a good story."
"I've always been a big fan of dialogue. I think dialogue is the most important part of a movie."
American filmmaker (Pulp Fiction, Kill Bill, Inglourious Basterds) whose intertextual genre-collage redefined 1990s independent cinema. Closely associated with Robert Rodriguez (frequent collaborator (From Dusk Till Dawn, Sin City)) and Paul Thomas Anderson (1990s indie-auteur peer). For an intellectual contrast, see Stanley Kubrick, meticulous formalist filmmaker (1928-1999) — Kubrick's films erase influences into singular monolithic vision through year-long shoots and 100-take perfectionism; Tarantino's foreground every reference as a deliberate tribute — the two opposite ways auteurist cinema can be made.
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