Perhaps it sounds ridiculous, but the best thing that young filmmakers should do is to get hold of a camera and some film and make a movie of any kind at all.
Click any product to generate a realistic preview. Up to 3 at a time.
* Initial load can take up to 90 seconds — revising the preview in another color is nearly instant.
"I think the big mistake in schools is trying to teach children anything."
"The great thing about being a director is that you get to play God. You get to create your own world, and you get to control everything in it."
"I have always been drawn to characters who are self-destructive."
"I think that the big mistake people make about movies is that they don't understand that films are essentially a dream process. You're not supposed to be able to explain what's going on in a dream. If…"
"The artist is a man who has to create a new way of looking at the world."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
Your cart is empty
