Edvard Munch — "The camera cannot compete with the brush and palette, it is far too clumsy."
The camera cannot compete with the brush and palette, it is far too clumsy.
The camera cannot compete with the brush and palette, it is far too clumsy.
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"The colors scream."
"I remained immobile trembling from anguish and I heard bounce through nature an immense infinite scream."
"And I live with the dead – my mother, my sister [Sophie], my grandfather, my father [who died in 1889, when Munch was in France].. . Every day is the same – my friends have stopped coming – their laug…"
"The camera can't lie, but it can be an accomplice to a lie."
"To those that labeled his work morose and too unsettling, Munch declared that 'I have tried to understand my life and its significance. I intended to help others do the same about their own lives'."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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