Edvard Munch — "The colours scream. They are the scream itself."
The colours scream. They are the scream itself.
The colours scream. They are the scream itself.
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"It is so strange to be entirely gone that it must that the hour must come when you can say to yourself now you have 10 now 5 minutes left and then it will happen and you shall feel how little by littl…"
"Disease, insanity, and death were the angels that attended my cradle, and since then have followed me throughout my life."
"Could only have been painted by a madman."
"My art is rooted in a single reflection: why am I not as others are? Why was there a curse on my cradle? Why did I come into the world without a choice?"
"The camera cannot compete with the brush and palette, it is far too clumsy."
Norwegian Expressionist painter whose The Scream (1893) became the iconic image of modern existential dread. Closely associated with James Ensor (Belgian Expressionist peer) and Egon Schiele (younger Expressionist heir). For an intellectual contrast, see Pierre-Auguste Renoir, French Impressionist (1841-1919) — Munch and Renoir were exact contemporaries painting the same Belle Époque from opposite emotional poles — Renoir's dappled-light bourgeois pleasure and Munch's anxiety-soaked bourgeois terror are the late-19th-century painting's two halves. The same world; the cleanest emotional inversion.
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