Stanley Kubrick — "The difference between a good film and a bad film is that a good film is never f…"
The difference between a good film and a bad film is that a good film is never finished, and a bad film is never started.
The difference between a good film and a bad film is that a good film is never finished, and a bad film is never started.
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"The problem with most people is that they're not willing to take risks. They want to play it safe, and that's why they never achieve anything great."
"I think the big mistake in schools is trying to teach children anything, and by using fear as the basic motivation. Fear of getting failing grades, fear of not staying with your class, etc. Interest c…"
"You can't make a movie for the critics. You have to make it for yourself and hope that enough people like it."
"I think that the human race is capable of great things, but it's also capable of great evil."
"Perhaps it's a good thing that human beings are not immortal. If they were, they'd get tired of living and fall into a state of profound boredom. It's the knowledge of death that makes life precious."
American filmmaker (2001: A Space Odyssey, Dr. Strangelove, The Shining) whose perfectionist year-long shoots and 100-take method redefined auteurist cinema. Closely associated with Orson Welles (auteur predecessor and Citizen Kane director) and Steven Spielberg (younger collaborator (A.I. Artificial Intelligence)). For an intellectual contrast, see Quentin Tarantino, postmodern American filmmaker — Kubrick's films erase influences into singular monolithic vision; Tarantino's foreground every reference as a deliberate tribute. The two opposite ways auteurist cinema can be made.
Unpublished interview, quoted in 'Stanley Kubrick: A Biography' by John Baxter
Date: 1970s
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